Good old HECQ opens for us the second issue of the EO compilation series with the ethereal, symphonic waves of ‘The Glow’, a track that could as well have been on the #Night Falls’ album. 3:36 minutes of pure mood. As next DRYFT is sending out a ‘Transmission’ coming from speech snippets amidst tattered ambience layers and ground-shaking, apocalyptic noise breaks. A brilliant piece that makes curious of what’s to come from this artist next. FLLINT GLASS comes back with a new track as well and opens the ‘Al-Azif’ (Necronimicon) for us. The burbling of roaring waters comes to our ears and haunting atmospherics create a feeling of unease before gradually wet rhythm patterns fade out getting louder to reach their apex spewing cascade of intricately crafted beats. The ARCHITECT Daniel Myer brings in a new track called ‘Keks’, an Industrial/Ambient hybrid that in parts favours one or the other face but eventually all elements merge back together. I said it once before and I say it again: The sound design of ACCESS OF ARASAKA is amazing! And it is on his contribution ‘400 Bloc Overground’ as well which throws at us a fireworks of complicated, and glitchy beats subjacent to a sky woven of ephemeral melodies and atmospheres.