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The European leg of DEPECHE MODE's “Tour of the Universe” is almost over, only the gigs on the Iberian Peninsula are still ahead in the next few days before the British cult band brings their show over the pond to North America. So it's time for a retrospect of DEPECHE MODE's first stadium-only tour, based on the selected gigs the RoD team attended.

Contents
01. The Charts of the Universe
02. The Recovery of the Universe
03. The Fans of the Universe
04. The Show of the Universe
05. The Performance of the Universe
06. The Setlists of the Universe


The Charts of the Universe

DEPECHE MODE's 12th album, self-confidently titled ‘Sounds of the Universe’ and released in April 2009, turned out to be one of the band's most successful releases ever! At the time of writing this review, DEPECHE MODE sold 1,059,600 copies of ‘Sounds of the Universe’ and still is in the World Top 50 Album Charts - on spot #41 in its 11th week. One week after its release the album dominated the charts worldwide, with a number one position in more than 18 countries, a very good no. 2 in the UK chart and an excellent #3 in the US Billboard Chart - their best US chart position for an album since ‘Songs Of Faith And Devotion’ in 1993! It's a well known phenomenon that DEPECHE MODE's devoted fan base rushes out to buy a new record on the day of its release, which grants a DM release a high chart entry in its first week. On the other hand it also means that the sales decrease rapidly after two or three weeks in the charts - everybody who wants to buy the new DM record does this in the first week, and then the record drops like a stone in the charts.

It is striking that this was different with ‘Sounds of the Universe’. Especially in many European countries, the album stayed in the number one spot for several weeks and the descent in the respective national charts was often a rather slow one. In other words, ‘Sounds of the Universe’ was not just bought by DEPECHE MODE's (albeit huge) fan base, it appealed to a much broader audience world wide. It is kinda odd that this album, of all DM albums, achieves this kind of crossover effect for the first time again since the glorious days of ‘Violator’ (1990) and 1993's ‘Songs of Faith and Devotion’. The new album is DEPECHE MODE's biggest mainstream success although ‘Sounds of the Universe’ is their least mainstream-friendly album in ages. It lacks any obvious hit single, just to begin with. Sure, the lead single ‘Wrong’ is an excellent song and made some impact but it's nowhere near the radio-friendly hits like ‘Enjoy the Silence’ (1990), ‘It's no Good’ (1997) or ‘Precious’ (2005). The second single off the recent album, ‘Peace’, even bombed big time in the charts and its release in early June literally went unnoticed by the broad public.

‘Sounds of the Universe’ as a whole is an album which demands attention and time from its listener. The first minute of the album is cacophonic, buzzing noise - something which by all rules should make sure that most Pop listeners won't even bother to listen to the rest. Around the time when the album hit the shops, even DEPECHE MODE's loyal fan base debated heatedly in internet forums if ‘Sounds of the Universe’ is a total failure or indeed a masterpiece. A difficult and controversial album! And yet it is the DEPECHE MODE album which apparently has had a wider appeal than the previous three or four DM albums, and which chart-wise did even better than the huge ‘Violator’!


The Recovery of the Universe

After a warm-up show in Luxemburg on a small scale in front of “only” 6,000 die-hard fans, DEPECHE MODE's “Tour of the Universe” started on May 10th in Tel Aviv, Israel. I will refrain from any smart-alec comments on an European tour leg which strictly speaking starts in Asia and will focus more on how much the Israeli fans deserved this! DEPECHE MODE never played there before, and when they scheduled their final gig of their 2005/06 tour for Tel Aviv they had to cancel it unfortunately due to security issues and the second Lebanon war. The band was all set to do the gig but parts of the crew refused to travel to an area which was basically a war zone. The disappointment among the fans in the Middle East was huge - as huge as the excitement was when DEPECHE MODE kept their promise to start this year's tour in Tel Aviv to make up for the cancellation. Alone the arrival of the band in Israel was national news already, and it seemed as if Gahan, Gore and Fletcher couldn't walk anywhere without a baggage of reporters and fans around them.

After the small warm-up gig the official tour start at the Ramat Gan stadium in the suburbs of Tel Aviv was a glorious kick-off of the “Tour of the Universe”. Not many people know that this Tel Aviv show was on the brink of being cancelled - again! Just a few hours before the show, DEPECHE MODE’s keyboarder Andy Fletcher received the sad news that his father died rather unexpectedly. Tragic news like this could warrant a cancellation of a show easily, and everybody would understand. But Fletcher is a true professional, and he was surely aware how long the Israel fans waited for this show and what another cancellation would mean for them, so he walked on stage nevertheless and performed the gig with his band. But this was only a foreshadow of the problems to come in regard to DEPECHE MODE's tour. As widely reported, singer Dave Gahan fell ill only a few moments before he was supposed to be on stage in Athens, the second gig of the “Tour of the Universe”. The show had to be cancelled last minute, literally.



The support bands had both already performed, the crowd was waiting for DEPECHE MODE, just to witness someone from the band’s management and a translator coming on stage to announce the sudden cancellation of the gig. What followed were riot-like scenes on location in Athens and endless speculations and rumours among the fans and in the media in the following days. Fact is that Dave Gahan caught gastroenteritis, nothing too serious but it made sure that he abruptly collapsed just minutes before stage time. A truly awful situation for everyone involved. But still - Dave Gahan should mark May 12th 2009 as one of the luckiest days in his life! During the examinations because of his gastroenteritis the doctors discovered a malignant tumour in Gahan’s bladder. A very serious and shocking diagnosis but the tumour was in an early stadium, which allowed the medical team to remove the tumour completely. If it wasn’t for the gastroenteritis the tumour would have stayed undiscovered. A tumour in the bladder doesn’t cause any pain or significant symptoms - when it does it is too late! So, without discovering the tumour by chance it would have grown for the next few months and years, and you can imagine what the result would have been then!

DEPECHE MODE had to cancel a few more shows because of Gahan’s illness and the shocking findings during the further tests. Many fans were greatly displeased by the lack of communication from the band and their management, and by the step by step cancellations of further shows. Some of the frustration was rather understandable. When a cancellation is announced less than two days before a show it's impossible to cancel booked flights and hotel rooms. At some point it even seemed that it begins to backfire at the band and their reputation but just in time they came up with a press release and a statement on their official site http://www.depechemode.com/. In hindsight some people will regret their bitter words, and it’s also clear why the cancellations came step by step, and the official info only bit by bit. There must have been a lot of insecurity among the DEPECHE MODE camp, with waiting for test results and not being sure if Gahan will be able to continue the tour at all. There are also many other things to be considered, for example the whole insurance side of a tour needs to be sorted out before you send a performer back on stage to perform in front of ten thousands. Interestingly, there were some fans who demanded Gahan should cancel at least the first leg of the tour to have enough time to recover.



Well, I don’t know Dave Gahan’s medical reports; all I know is that in similar cases the treatment of a first-grade tumour in a bladder is not as complicated as some people may think. The diagnosis is severe - the surgery itself actually isn’t. However, when the news broke that Dave Gahan feels fine again and that the tour can be re-launched soon all worries, complaints, moans and rumours were forgotten. And it delivered a rare moment of consensus among the otherwise rather disputant fan base - they agreed that everyone was just blissfully happy!


The Fans of the Universe

At a DEPECHE MODE tour it’s easy to go alone to a show, and leaving it with a few new friends. The community spirit among the ‘devotees’ is enormous. As much as they love to argue heatedly about the smallest details about DEPECHE MODE, there’s nevertheless a strong sense of solidarity, especially when it comes to touring and attending a show. You need a ticket for a sold-out show? You wanna form a car pool to travel to a show? You want to know where a cool DM aftershow party is? You need some company at the show? Just one posting at one of the many DEPECHE MODE internet forums and you will probably find a dozen people who are happy to help. When you’re doing multiple shows at a DEPECHE MODE tour you can feel this community spirit all the time, whether at the concerts themselves or at the numerous aftershow parties. You constantly bump into friends or people you know from previous gigs, you make new friends and you meet people of many nationalities.



Hanging out at the bar with a guy from Denmark, a bloke from the UK, a girl from Italy and a lady from the US is not too unusual for a “devotee”. For DEPECHE MODE fans, globalization is old news; they apparently have been thinking global for quite a while now. And just in case you can’t make it to all the shows just go to a DEPECHE MODE internet forum and you will find setlist updates, reports, pictures from the gig while the gig is still on! The forum at http://www.depeche-mode.com/ is a fine example - the user “bongmute” gathered a little team of fans who update him per SMS so that he can post news and pics at the forum. In other words, you get all the info about the show almost in real-time! An excellent service from fans for fans; and its fun to chat with other fans to discuss details of a concert before it’s even over. DEPECHE MODE fans are not only very devoted; they are also very strongly networked. And you can be sure that just a few hours after a show the first videos of it will pop up at YouTube…


The Show of the Universe

DEPECHE MODE announced their “Tour of the Universe” in October 2008 at a press conference at the Olympic Stadium in Berlin - it was “about time for an arrogant title”, Martin Gore said jokingly at the conference. And indeed the name of the tour plus the fact that it was going to be DEPECHE MODE’s first stadium-only open air tour and, last but not last, the impressive “Touring the Angel” live show in 2005/2006 raised the expectations to unknown heights. While many fans were sure that DEPECHE MODE will simply rely on the big hits, standards and crowd pleasers regarding the set list they’re gonna play everyone looked forward to a big, impressive show. So it was a surprise - for some a letdown - that DEPECHE MODE decided on a rather minimal stage setup, similar to their “Exciter Tour” 2001 but perhaps even more minimal than that. The show focuses completely on a large LED screen behind the band, with a LED sphere (rather a semi-sphere) embedded at its top for a so-called “fisheye” effect. This big LED screen is by the way semi-transparent and has further lights behind to create cool effects in combination with the screen.



On each side of the stage there are additional high resolution screens, both 70 square meters of size which is about one-third of the main screen. These screens show exactly the same as the main screen, at least at the first few shows of the tour. That is, the videos Anton Corbijn shot for the tour projections or the light effects and the live footage which is filmed on location. Just like at the “Touring the Angel” tour a camera team is on the road with DEPECHE MODE to film the band’s performances each night. This footage is used in real time for the screens - albeit with a lot of effects over them, from grainy black & white shoots to cascading images from all cameras to other distortion effects. The stage itself is a standard open air stage as to be seen on every other open air festival. Nothing too spectacular here - DEPECHE MODE are following the old rectangle shaped stage design, no centre stage or a fancy stage like “The Claw” at U2’s recent tour. Nothing wrong with that really but I can’t help but to think that the stage for DEPECHE MODE’s 2005/06 tour simply looked more interesting with its spacey look and all its bits and pieces on stage, the unusual asymmetrical screens, the chromium keyboard racks and so on. A pity that DEPECHE MODE decided on a more minimal approach for their first stadium tour!



But what really bothered me when I was at the gigs - and that's my only major complaint - was that the stage is simply not suitable for huge stadium gigs. When you’re in the back you easily feel lost because you can’t watch the band properly as you’re simply too far away, and the side screens didn’t really help here as they hardly showed the band members sharp and clearly. In addition to that,  the stage does not allow full visibility from all angles, there are not only the side screens which may block the view of the main screen and hide some of the musicians, there are many other things like speakers etc. which block views as well. Quite a shame as in this day and time, with all the given technology (just think of 3D computer models) and the state of art regarding stage construction, something like blocked views is simply avoidable! Just move the side screens to the same level as the big LED backdrop behind the band, and you would have made a few hundred fans who only got tickets for the tiers at the left and right hand of the stage very happy.
What seems to be a permanent feature at DEPECHE MODE shows by now is a catwalk. At the beginning of the tour there were rumours that this time around there would be two or even three catwalks but there’s just a single catwalk off to the right side of the stage. Well, except for some festival gigs, these shows get unfortunately no catwalk at all for technical reasons. However, the catwalk is a cool feature, I have to say, and I just wish Gahan and Gore would make use of it even more often.



As usual Anton Corbijn, DEPECHE MODE’s visual director since the late 1980s, shot a few videos for selected songs of the “Tour of the Universe”. All in all he did a great job again. The videos for ‘Walking In My Shoes’ and ‘Enjoy The Silence’ are really great, and the allegedly scandalous video for ‘Strangelove’ simply fits perfectly the lyrics of the song. I though that Anton Corbijn’s vision of the lyrics suits the song perfectly, and I’m not sure if there’s truly anyone who finds two girls in lingerie sucking on each other toes offending or something - at least in a DEPECHE MODE context you should be prepared for things getting sensual and even a bit nasty at times. And considering that we’re confronted with similarly ‘explicit’ images every day - be it on TV, in adverts or whatever - all the fuss about this relatively harmless vid is beyond me. But there are also some Corbijn videos this time where I simply don’t get the point. Multicoloured rubber balls bouncing up and down, a young black boy and an old white guy morphing into each other… I’m still looking for the link to the respective songs but in the end I don’t mind these videos too much.



Videos shown: In Chains – Walking In My Shoes – Precious – Come Back – Peace – In Sympathy/Policy Of Truth – Enjoy The Silence – Strangelove – Personal Jesus


The Performance of the Universe

After all the worries over Dave Gahan, DEPECHE MODE’s fan base was more than happy when the band announced a tour re-start on Monday, June 8th in Leipzig. Initially there were two shows planned at the Zentralstadion in Leipzig but the first show there, scheduled for June 7th, was still among the concerts DEPECHE MODE had to cancel. Wagging tongues said that this was a nice effect to fill the stadium as tickets for the second Leipzig reportedly sold relatively poorly. With one date only now, the Zentralstadion looked pretty packed, with a few empty seats in the upper tiers though.



The weather gods had mercy with the DM followers, it looked a bit cloudy but people weren’t drowned in rain luckily - unlike later shows of the tour like Bratislava and Budapest. The first support act M83, played their nice mix of Electronica and melancholic Rock and obviously enjoyed themselves, though they looked a bit lost in a big stadium. That the two protagonists of this French band decided to perform face to face, with their sides to the audience, didn’t help much in this department. But their music is still really good, of course. And as a curious little side note, M83 managed to be one of the few little details which were more than apt for the tour’s theme “Tour of the Universe”: M83 are named after the spiral galaxy "Messier Object 83"! Not that many people at the Zentralstadion would have known this… Most fans used the first support band’s gig as an opportunity to have a drink or two, to meet friends, or to check out the merchandise stalls. A very relaxed atmosphere but the sense of excitement and tension was undeniable. Will DEPECHE MODE really be on stage tonight? Will Dave be fit enough to perform a full show? Questions like these were much discussed in the crowd, and meanwhile the second support act entered the stage.



POLARKREIS 18 were a rather unknown Indie band from Dresden only a few months ago but then their single ‘Allein Allein’ granted them a breakthrough, making it to the number one spot of the German single chart and gaining considerable success in some other European countries. So this up and coming band was rather a special guest than just a support. Musically I really like them though I have to admit that I’m not too fond of singer Felix Räuber’s falsetto voice. I also have to admit that POLARKREIS 18 know how to put on a good show! All dressed in white, they offered a cleverly choreographed show featuring a lot of material of their recent album ‘The Colour of Snow’ and, when they performed ‘Allein Allein’ as the final song of their set, the first sing-along of the day. Which other DEPECHE MODE support band can claim that they made the die-hard DM fans sing along to their tunes? Not many, I’m sure.



And now the big moment has come! After some 30 minutes of preparing the stage for the headliner, the new DM logo rotating on the LED sphere announced the band for which everybody came there. The first few noises of the intro of ‘In Chains’ caused a big roar in the audience, which became eruptive when the band entered the stage - first Christian Eigner (drums), then Peter Gordeno (keys), Andrew ‘Fletch’ Fletcher (keys and waving to the audience *g*) and Martin Gore in his silver suit and with his guitar. Finally Dave Gahan appeared, and 50,000 fans screamed at the top of their lungs. He’s really here, on stage! Gahan seemed to be a little nervous, careful, and almost a little shy. But just a hinted bow to the audience provoked loud cheers from the audience. After the slow build up, ‘Wrong’ raised the tempo, and a few more songs into the show you would not have been to tell that the singer of this band is someone who was diagnosed with cancer only three weeks prior this show. Gahan seemed to be fit and up for it, doing his trademark spins during ‘A Question of Time’ several times, running down the catwalk several times, smiling all the time.



The set list DEPECHE MODE played in Leipzig was identical with the one they did in Tel Aviv - with one exception. For some reason the band decided to drop ‘In Sympathy’ (from the new album ‘Sounds of the Universe’) in favour of the classic ‘Policy of Truth’ from 1990s ‘Violator’ album - an odd choice, I have to say, even though I’m not the biggest fan of ‘In Sympathy’. But as this tour is supposed to promote the new album I would have thought that DEPECHE MODE would swap it for another new song. There are many good songs on ‘Songs of the Universe’ which haven’t been played live at all so far - the great Pop tune ‘Perfect’ or the driving ‘Fragile Tension’ come to mind here. However, ‘Policy of Truth’ got a good response from the crowd and with the sun setting the atmosphere at the Zentralstadion just got better and better. Gahan could not hide how happy he was to be back on stage - not that he would have tried! But it was heart-warming to see him in a good mood, energetic as ever and enjoying to be up there again. And the audience did not hesitate to celebrate him and the rest of the band from the very first second to the very last. This was a special night in DEPECHE MODE’s concert history, as it marks the return of Dave Gahan after a couple of sorrowful and unsettling weeks.



Leipzig marked the return of DEPECHE MODE after the unintended break because of Dave Gahan’s illness, and only two days later a show at the historic Olympia Stadion in Berlin on June 10th became a true highlight early into the re-launched world tour. But first of all there was the ‘Convention of the Universe’ the night before DEPECHE MODE’s show. A great night at the Postbahnhof in the heart of Berlin, with a lot of fans from all over Europe (all over the world in fact!) who came to Berlin to see DEPECHE MODE the next day but also wouldn’t want to miss German Synth Pop veterans DE/VISION and Essex lads NITZER EBB performing great shows, not to mention the long club night full of DM tunes until sun rose. Funny side note here: It was probably the first DEPECHE MODE party actually attended by band members! Martin Gore, accompanied by Peter Gordeno, Christian Eigner and Daniel Miller, head of Mute Records and a legend in his own right, attended the convention to see NITZER EBB performing, who also presented a few new tracks from their forthcoming new album. Word has it that the celebrities were impressed by the event - seeing Daniel Miller shouting “Control! I’m Here!” during NITZER’s gig and Gore’s smile on his face suggest that this info is indeed correct. Let's hope that Gore and Miller got an idea who would be perfect to open for DM at one of the later legs of the "Tour Of The Universe"...



Arriving early at the Olympia Stadion the next day was a nice thing, the weather was much better than predicted and it was great to soak in the atmosphere at this huge stadium. 70,000 fans filled this stadium and the sight was truly stunning! M83 and POLARKREIS 18 performed their gigs and the latter in particular got a good response again. The closer DEPECHE MODE’s show came the more electricity was in the air. The treat we all were in for did make the Leipzig gig - with all respect - look like a warm-up for Berlin. And maybe it is even true in a way - while Gahan still showed hints of caution in Leipzig, as if he was still testing grounds, he was absolutely on fire in Berlin! He came on stage with a big smile, bowed down low, and the audience just freaked out! Leipzig proved that he was able to do a 2-hour show again, so he totally let loose at the Olympiastadion in Berlin. It was great to see the band in such high spirits again, and Gahan flirted with the first rows while the rest of the giant stadium was totally at his command. The fans were more than willing to give in. Musically the performance was pretty tight. Gore added some great noisy guitar effects to songs like ‘It’s no Good’ and ‘Precious’, which made them sound a lot dirtier than their studio counterparts - and both mentioned songs sound a lot better live this time around than on previous tours.



Eigner’s drumming was also very heavy - some say even overpowered - and in my opinion it was not just a pleasure to hear the kicking, pumping beats but also to feel them. Especially during ‘I Feel You’,” the bass drum made my whole body vibrate. Lovely! And it was a joy to see that the sing-along at the end of ‘Peace’ finally worked. Gahan really took pains to make this sing-along part work but at previous shows too many people seemed to be uncertain what Gahan wants them to do, or to sing. In Berlin it worked, and the big smile on Gahan’s face gave away how happy he was about it. The anthemic ‘Never Let me Down Again’ was the highlight of the show and delivered a true “101” moment. Seeing 140,000 hands in the air in a stadium like that is simply jaw-dropping. Thankfully, DEPECHE MODE are quite generous with their encores on this tour, performing a total of five further gems including the rare ‘Strangelove’ and ‘Master & Servant’ and a powerful ‘Personal Jesus’ - Gahan on the catwalk with the back to the crowd, like a wild animal that just waits to let it go with his mike stand when the instrumental “Pump Mix” part of the song kicks in, was one of those special magic moments. And it tells you a lot about Gahan’s power this night. DEPECHE MODE eventually ended the show on a much quieter note with a beautiful and very touching ‘Waiting for the Night’, sang by Gahan and Gore singing at the end of the catwalk. Glorious night!



The DEPECHE MODE trek continued its journey with stops in Frankfurt and Munich (where Gore did an acoustic version of ‘Home’ for the first time), two dates in Italy (where the crowds simply were mental, as fans report), a festival gig in Belgium and some further shows from Bratislava in Slovakia to the Stade de France in Paris. For the RoD team the next day of DEPECHE MODE mania was on July 1st in Hamburg, again at a huge football stadium, this time with a 47,000 capacity. An incredibly hot and sticky day so everybody was happy when the night came and the air got a little cooler. Unfortunately we missed MOTOR but judging on all we heard their gig didn’t go down too well anyway. But this was no indication for a lukewarm audience - as soon as DEPECHE MODE entered the stage the crowd went wild from one second to the next. I noticed that the fans in lower tiers were particularly loud this time while the atmosphere in the front of stage section was really good but nowhere near the madness in Berlin. Rather relaxed dancing and having fun with lots of space around you, in contrast to the packed and sweaty front of stage section in Berlin.



The series of big hits in the second part of the show raised the tension level even more and 46,998 fans celebrated the band and hits like ‘I Feel You’, ‘Policy of Truth’ and ‘Enjoy the Silence’. ‘Never let me Down Again’ of course had this traditional “cornfield” effect with tens of thousands of arms waving and swaying in the air. Even a 10 second drop-out of the entire PA system halfway through the song could not dampen the crowd’s enthusiasm. A show where almost everything flowed brilliantly, with an excellent sound in the entire stadium (I had a little walk around) and with thoroughly happy band which clearly had a good time on stage. One difference compared to the previous gigs I attended this tour was the fact that they showed a lot more footage of the band on the side screens during the show. Small thing, big effect - as this allowed people in the back to actually see the band. Much better this way, and it’s nice that the tour management seems to listen to the fans and tries to improve and evolve the show. Unfortunately the “interesting” (ahem) video for ‘Strangelove’ has been somehow censored before the “Tour of the Universe” hit Hamburg - so we got a red LED wall instead of the two ladies during some parts of the song. What a shame!



As usual the show was finished by the ballad ‘Waiting for the Night’ - and just once again I noticed how excellent Dave Gahan’s singing is on this tour! It is stunning that he delivers such fine vocals after two hours of an energetic and demanding performance. I would even go so far and say that on this tour Dave Gahan’s singing is at its best ever… what is quite an achievement when you’re almost 30 years into your career!


The Setlists of the Universe

Tel Aviv May 10th

Leipzig June 8th
Berlin June 10th
Hamburg July 1st

01. In Chains
02. Wrong
03. Hole To Feed
04. Walking In My Shoes
05. It's No Good
06. A Question Of Time
07. Precious
08. Fly On The Windscreen
09. Jezebel
10. A Question Of Lust (acc.)
11. Come Back
12. Peace
13. In Your Room
14. I Feel You
15. In Sympathy
16. Enjoy The Silence
17. Never Let Me Down Again

18. Stripped
19. Master And Servant
20. Strangelove

21. Personal Jesus
22. Waiting For The Night
01. In Chains
02. Wrong
03. Hole To Feed
04. Walking In My Shoes
05. It's No Good
06. A Question Of Time
07. Precious
08. Fly On The Windscreen
09. Jezebel
10. A Question Of Lust (acc.)
11. Come Back
12. Peace
13. In Your Room
14. I Feel You
15. Policy Of Truth
16. Enjoy The Silence
17. Never Let Me Down Again

18. Stripped
19. Master And Servant
20. Strangelove

21. Personal Jesus
22. Waiting For The Night
01. In Chains
02. Wrong
03. Hole To Feed
04. Walking In My Shoes
05. It's No Good
06. A Question Of Time
07. Precious
08. Fly On The Windscreen
09. Little Soul (acoustic)
10. Home (acoustic)
11. Come Back
12. Peace
13. In Your Room
14. I Feel You
15. Policy Of Truth
16. Enjoy The Silence
17. Never Let Me Down Again

18. Stripped
19. Master And Servant
20. Strangelove

21. Personal Jesus
22. Waiting For The Night





All pictures by Daniela Vorndran - Leipzig - (http://www.vorndranphotography.com/ / http://www.black-cat-net.de/ / www.myspace.com/vorndranphotography), Mattias Nordgren - Arvika - and Marco Schwedler - Luxembourg

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