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Title: Internet Album
Artist: Cybersnake
Genre: Industrial-Rock
Release Date: 2009
Label: AF Music



Album Review

The advent of high-speed internet has opened up so many doors for collaboration that even ten years ago would not have been possible – many talented but isolated musicians have gotten together on forums in cyberspace and created interesting musical projects that in many cases have resulted in a solid physical product. And then, of course, there are those who just can't find anyone else to work with because they're not particularly good and then use digital distribution to reach a tone-deaf audience that would otherwise never hear the fruits of their labour. CYBERSNAKE at times nearly sounds the former - the rock element to their music is particularly well done with nice solid riffing, and a tight rhythm section - it's the Industrial side that lets the whole operation down. Every bit of electronic embellishment sounds amateurish and like it was recorded in someone's bedroom on a cheap, 10 year old synth. On top of this, add shoddy production and unimaginative vocal performances and you get something that would clear most dance floors. Even the artwork makes me want to gag.

'The Snake' sounds almost like it is going to be an interesting and aggressive industrial rock instrumental intro until the timid and flat vocals come in - the whole track seems to be emulating the recent COLLIDE album and falling far short of its mark. 'Music is Life' attempts to sound like a rock cover of a Eurovision entry from a country that didn't discover pop music until two weeks ago, and unfortunately it hits its square on the head. 'Sex' suffers from some terrible electronics and flat vocals that ruin the first real contender for a decent sounding song. Take away the last three minutes of 'Mad Love' (preferably to destroy them) and you catch a glimpse of some real potential for this band. 'Child of the Sun' attempts a pseudo-symphonic approach that ruins what would otherwise be an interesting metal track, add on some awful tacked on electronic loops and you have a recipe for disaster.

'Buy, Sell' changes tack constantly from a SKINNY PUPPY-a-like intro to punky early 90's alt rock that almost works if not for the bad mix! ‘Black Knight' sounds like a low-fi and mid-tempo KOVENANT with someone doing a very bad TARJA TURUNEN impression over it. 'Princess and Demon' just goes for out and out symphonic with the cheap sounding piano voice, full on operatic vocals, echoing drums, and the occasional big guitar interlude - the kind of song that must have flooded record labels all over Europe when symphonic metal broke all those years ago. 'Terrarium' goes straight back to the heavy electronics that actually meld well with the rest of the instruments for once, but again the vocals are flat and inappropriate. 'Moscow' closes the album with what would be synth work befitting a decent EBM track over a decent enough rock track that blends better than a lot of the other tracks heard previously, but in it's attempt to be the big crowd participation number it falls short.

This is a case of “back to the drawing board” if ever I've heard one - I'll say now I've heard much, much worse than this, but not recently. While the core rock element is good enough to play your local university bar at present, and shows the talent to develop much further than that, the industrial side is amateur and tacked on, and the lead vocalist attempts everything from Pop, to Punk, and operatic vocals without being very good at any of them. There are a couple of instances where the stars align and we get a glimpse of what could be, but ultimately we are constantly reminded of what we do have... and it isn't much.


Tracklist

01. The Snake
02. Music is Life
03. Sex
04. Mad Love
05. Child of the Sun
06. Buy, Sell
07. Black Knight
08. Princess and Demon
09. Terrarium
10. Moscow


Line-up

Muza
Nik
Likiya
Alex
Staz
Veronika


Website

http://www.myspace.com/cybersnakeband


Cover Picture




Rating

Music: 3
Sound: 2
Extras: -
Total: 2.5 / 10


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