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Interview withBarney Greenway (vocals) of Napalm Death
Two decades after inventing the genre known today as grind-core, NAPALM DEATH continues to demonstrate that their work is far from done. In the intervening years, there have been changes in between but that doesn't mean that the mission hasn't. It has in fact remained the same; to outlet every trend, never compromise, provide a political voice for the voiceless, and create the most brutalizing challenging music on earth! Barney Vocalist and founder of NAPALM DEATH spoke to me about their reign of terror and what plans to become of the almighty grind masters!
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Interview withJohn Kevill of Warbringer
WARBRINGER, are these the five founding members that started all the wars currently erupting in the world right now? Or are they the cure to something, come to think of it I believe they are a cure, a cure to our boredom of hearing the same old music over and over again. Putting a twist on a classic genre known as thrash metal and these Americans know how to twist things up.
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Interview withXMH
The success of their debut release ‘Time to Play’ opened a lot of doors for the young project. Now a new album is in the pipeline for a release in this year and we took that as an opportunity to have the band fill us in on some details regarding the new release and a few other things.
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Interview withPaul Donoghue (Bassist of Glasvegas)
With their self-titled debut, the four-piece GLASVEHAS hailing from Glasgow has dished out one hell of a successful album and shortly before with ‘Daddy’s Gone’ a new single gets unleashed upon the crowd we got the chance to talk to Bassist Paul Donoghue about this prolific release and a little bit about the above mentioned tune.
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Interview withV for Violence
“The beginning of loathsome Finnish plague called V FOR VIOLENCE as it's very early form goes back to early 00's. During 2008 the V's got their present form, thus were the Quintet of Violence consisted: Salò, Jay Tan, Kunt, Varjo and Kock. It's music, V for violence aims to keep as effective as possible. All unnecessary artistic 'ego-fucks', epic middle parts, orchestras and 'instrumental-whatevers' are not found in V's songs.
